Charli XCX took a swipe at Gordon Ramsay as they appeared on The Graham Norton Show on Friday night.
The singer, 33, and the chef, 59, appeared on the chat show to promote their respective releases, The Moment and Being Gordon Ramsay.
But conversation soon turned to Charli's hit album BRAT and the phenomenon that became BRAT summer.
The record proved popular with the TV chef's daughters, as Graham asked Gordon if they channelled what they thought Brat was, Gordon replied: 'It's just attitude. In abundance. Loud volume. I think the older you get, the lower you want the volume.'
Quick to defend her BRAT album, Charli took the opportunity to take a dig at the chef as she quipped: 'I mean, I feel like they could have got that from you though.'
The audience erupted in applause and Gordon laughed in hysterics as they were joined by fellow guests, Benicio del Toro, Jennifer Garner and Dave Grohl on the sofa.
Charli XCX took swipe at Gordon Ramsay as he said her BRAT album gave his daughters 'attitude in abundance' during The Graham Norton Show on Friday night
Graham asked Gordon if they channelled what they thought Brat was, Gordon replied: 'It's just attitude. In abundance. Loud volume. I think the older you get, the lower you want the volume'
Earlier this week The Moment was branded 'muddled and misguided' as critics declared it a 'glum version of Spice World'.
This mockumentary sees Charli play a fictionalised version of herself, based on a story by the singer.
Joining the star - whose name is Charlotte Aitchison - are Rosanna Arquette, Jamie Demetriou and Alexander Skarsgård, playing fictional characters.
From director Aidan Zamiri, the film combines real-life footage from Charli's Brat tour with scripted backstage scenes.
Since The Moment's release last month, critics have delivered their verdict on the film.
The Huntington News' Isabela Morales wrote: "The Moment" is another gamble that pays off, cementing the fact that XCX doesn't owe anyone anything -- not a perfect concert film, not a tidy ending and not even the truth.'
Quick to defend her BRAT album, Charli took the opportunity to take a dig at the chef as she quipped: 'I mean, I feel like they could have got that from you though'
Charlie and Gordon appeared on the show with fellow guests Benicio del Toro, Jennifer Garner, Charli XCX and Dave Grohl
Charli's hit album BRAT took the world by storm and triggered the phenomenon that became BRAT summer(pictured performing at Glastonbury in June)
However, ScreenRant's Gregory Nussen described The Moment as a 'horribly misguided mockumentary.'
He added: 'The film is an awkward cross between This Is Spinal Tap and Uncut Gems, which sounds kind of fun in theory, but the bulk of the film consists of XCX playing an aloof version of herself with a couple, sudden breaking points brought on by the demands of commercialization and the optimization of her own brand all while trying to honor her own voice.
'None of it works. I'll cut to the quick: The Moment is an unmitigated disaster. There is a certain hubris to making a film that is absolutely devoid of stakes, but it's hard to describe that gall as anything but absurdly arrogant, or else woefully out of touch.
'Though director Aidan Zamiri has proven his mettle with top-level music artists in music video production, his work here as a debut fiction director makes him seem awfully green.'
Charli's appearance comes after The Moment was branded 'muddled and misguided' as critics declared it a 'glum version of Spice World'
NME's Nick Levine penned: 'Throughout, XCX gamely plays a more irritable and conflicted version of herself.
'Her dry line readings suit the material and she really shines in a horribly passive-aggressive counter with super-influencer Kylie Jenner, who advises her to level up while she has the chance.
'The Moment is too protracted and tonally uneven to work as a great mockumentary, but it has plenty of meme-worthy moments that TikTok will lap up.'
BFI's Nicolas Rapold opined: 'The singer's verve as a performer in rehearsal sequences is undeniable, and the film is kitted out with an impressive cast (Rachel Sennott, Kate Berlant), but by the time the plot contrives a disastrous Brat-themed bank card promotion, its pretensions to either clever comedy or artistic reflection are lost in the lights.'